Those who are not only passionate writers but clothing enthusiasts to boot might want to become fashion journalists in the future. After all, it's a field where both of the aforementioned traits can come into effect, with various subjects being covered. Christina Kelly can say the same, but there are certain mistakes that should be avoided. To better understand what said mistakes entail, here are 4 talking points to help you improve.
To start off, make sure that you offer disclosure at the onset. Let's say that, for the sake of argument, that you are given an article of clothing to review by a particular company. You're going to want to establish that you have been provided with said product at the onset, so that readers can adjust their views accordingly. Failing to disclose such connections is a mistake, and fashion authorities like Christina Kelly will say the same.
To follow up, make sure that you're not terribly picky about publications you write for. Even though it's important to write for the best platforms imaginable, you do not want to limit yourself. After all, if this happens, you run the risk of limiting possible connections in this field. This can impede growth, as well as success in fashion journalism, so make it a point to expand your horizons and look for all possible options that Christina Kelly and others are familiar with.
What about the potential failure to proofread work? There's no denying the fact that this is a serious problem, since publications uphold certain standards. This is especially true when it comes to structure, ranging from spelling to grammar, meaning that it's in your best interest to proofread your work as effectively as possible. By doing so, your reputation will become that much stronger, allowing you to find better work to boot.
To cap off this list, make sure that your audience is treated with respect. This might go without saying, but it's surprising to see just how many writers underestimate the intelligence of their audience. Fashion journalists should be able to answer any and all questions with respect, so that they come across as the professionals they are. By failing to follow this step, it's easy to assume that you will do your reputation few favors in the long run.
To start off, make sure that you offer disclosure at the onset. Let's say that, for the sake of argument, that you are given an article of clothing to review by a particular company. You're going to want to establish that you have been provided with said product at the onset, so that readers can adjust their views accordingly. Failing to disclose such connections is a mistake, and fashion authorities like Christina Kelly will say the same.
To follow up, make sure that you're not terribly picky about publications you write for. Even though it's important to write for the best platforms imaginable, you do not want to limit yourself. After all, if this happens, you run the risk of limiting possible connections in this field. This can impede growth, as well as success in fashion journalism, so make it a point to expand your horizons and look for all possible options that Christina Kelly and others are familiar with.
What about the potential failure to proofread work? There's no denying the fact that this is a serious problem, since publications uphold certain standards. This is especially true when it comes to structure, ranging from spelling to grammar, meaning that it's in your best interest to proofread your work as effectively as possible. By doing so, your reputation will become that much stronger, allowing you to find better work to boot.
To cap off this list, make sure that your audience is treated with respect. This might go without saying, but it's surprising to see just how many writers underestimate the intelligence of their audience. Fashion journalists should be able to answer any and all questions with respect, so that they come across as the professionals they are. By failing to follow this step, it's easy to assume that you will do your reputation few favors in the long run.
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